ANALISIS MANAJEMEN IMPRESI PENGGEMAR K-POP DALAM MEMANIPULASI DIRI DI SOCIAL NETWORK SITE (SNS)

Annisa Fitriana Lestari; Eriyanto Eriyanto

doi:10.35308/source.v6i1.1693

ANALISIS MANAJEMEN IMPRESI PENGGEMAR K-POP DALAM MEMANIPULASI DIRI DI SOCIAL NETWORK SITE (SNS)

Annisa Fitriana Lestari, Eriyanto Eriyanto

Abstract

Various forms of internet products help people to have instant and easy activities, one of them is Social Network Site (SNS). Internet including SNS provides a place for users freedom of expression without having to be bound by rules like in the real world. Instagram as one kind of SNS, provides an opportunity for individuals to create more than one user account. This feature helps user to create an original account (rinsta) and fake account (finsta) that drives self-manipulation. Self-manipulation on real and fake Instagram accounts related to how individuals carry out impression management. Individuals set a good impression on the original account, while showing the true character on the fake account. Self-manipulation on the Internet more affects the psychological state of individuals to emerge different characters in offline, real and fake accounts. This character difference becomes a form of online disinhibition effect. K-Pop fans use variety of media to connect with their idols and fandoms, but they still have a concern of their self-image will be damaged in others people perspectives who are neutral or dislike K-Pop. The advantage of Instagram being able to have more than one account is a way out for K-Pop fans to manipulate themselves. This research was conducted using a qualitative approach with observations on real and fake K-Pop fan accounts, as well as interviews with users. The results of the study show that K-Pop fans use risnta as their front stage and finsta as their background to express their true self.

Full Text:

PDF

References

Alim, C. A. (2014). Impression Management Agnes Monica Melalui Akun Instagram (@agnezmo). Jurnal E-Komunikasi, 2(3), 1–10. Diambil dari https://www.neliti.com/id/publications/79686/impression-management-agnes-monica-melalui-akun-instagram-agnezmo

Ang, C.-S., & Chan, N.-N. (2016). Adolescents’ Views On Celebrity Worship: A Qualitative Study. Current Psychology, 37(1), 139–148.

Cunliffe, A. L., & Corrigan, L. T. (2013). Dramaturgy in the internet era. Qualitative Research in Organizations and Management: An International Journal, 8(3), 308–325. https://doi.org/10.1108/QROM-05-2012-1063

Dean, J. (2017). Politicising fandom. British Journal of Politics and International Relations, 19(2), 408–424. https://doi.org/10.1177/1369148117701754

Denzin, N. K., & Lincoln, Y. S. (2008). Introduction: The Discipline and Practice of Qualitative Research. In Handbook of Qualitative Research. In N. K. Denzin & Y. S. Lincoln (Ed.), The Sage Handbook of Qualitative Research (Fifth, hal. 1–29). London: SAGE Publications Inc.

Fleming, K. L. (2007). Participatory fandom in American culture : A qualitative case study of DragonCon attendees. University of South Florida. Diambil dari http://scholarcommons.usf.edu/etd/707

Hagen, W. R. (2010). Fandom: Participatory music behavior in the age of postmodern media. University of Colorado. Diambil dari http://nc2sy9rn9h.search.serialssolutions.com/?SS_Source=3&genre=article&sid=ProQ:&atitle=Fandom: Participatory music behavior in the age of postmodern media&title=ProQuest Dissertations and Theses&issn=&date=2010-01-01&volume=1&issue=&spage=1&SS_docid=20

Hidayati, L. (2017). OKEZONE WEEK-END: Drama Korea, Pintu Masuk K-Pop ke Indonesia. Diambil 19 Januari 2020, dari https://celebrity.okezone.com/read/2017/09/22/205/1781162/okezone-week-end-drama-korea-pintu-masuk-k-pop-ke-indonesia

Hindarto, T. (2017). Manipulasi Diri dan Pelecehan Dunia Siber. Diambil 19 Januari 2020, dari https://www.qureta.com/post/manipulasi-diri-dan-pelecehan-dunia-siber

Hu, Y., Manikonda, L., & Kambhampati, S. (2014). What we instagram: A first analysis of instagram photo content and user types. Proceedings of the 8th International Conference on Weblogs and Social Media, ICWSM 2014, 595–598.

Korea.net. (2019). Hallyu (Korean Wave). Diambil dari http://www.korea.net/AboutKorea/Culture-and-the-Arts/Hallyu

Lanier, C. D., & Fowler, A. R. (2014). Digital Fandom: Mediation, remediation, and demediation of fan practices. In Russell W. Belk & R. Llamas (Ed.), The Routledge Companion to Digital Consumption (hal. 284–295). London: Routledge. https://doi.org/10.4324/9780203105306

Laughey, D. (2010). Media Studies: Theories And Approaches. Harpenden: Oldcastle Books.

Lin, K. Y., & Lu, H. P. (2011). Why people use social networking sites: An empirical study integrating network externalities and motivation theory. Computers in Human Behavior, 27(3), 1152–1161. https://doi.org/10.1016/j.chb.2010.12.009

Liu, Y., & Ying, X. (2012). A Review of Social Network Sites : Definition , Experience and Applications. In The Conference on Web Based Business Management (hal. 749–752). Chengdu: Scientific Research. Diambil dari http://www.scirp.org

Mahendra, B. (2017). Eksistensi Sosial Remaja Dalam Instagram (Sebuah Perspektif Komunikasi). Jurnal Visi Komunikasi, 16(1), 151–160. https://doi.org/10.22441/jvk.v16i1.1649

Mclane, T. A. (2012). From the Top : Impression Management Strategies and Organizational Identity in Executive-Authored Weblogs.

Nurani, N. (2017). Fanatisme Fans K-Pop: Candu dan Bumbu Remaja. Diambil 20 Januari 2020, dari https://kumparan.com/kumparank-pop/fanatisme-fans-k-pop-candu-dan-bumbu-remaja

Orlando, J. (2018). How teens use fake Instagram accounts to relieve the pressure of perfection. Diambil 19 Januari 2020, dari https://theconversation.com/how-teens-use-fake-instagram-accounts-to-relieve-the-pressure-of-perfection-92105

Pertiwi, W. K. (2019). Sebanyak Inikah Jumlah Pengguna Instagram di Indonesia? Diambil 19 Januari 2020, dari https://tekno.kompas.com/read/2019/12/23/14020057/sebanyak-inikah-jumlah-pengguna-instagram-di-indonesia.

Pink, S., Horst, H., Postill, J., Hjorth, L., Lewis, T., & Tacchi, J. (2016). Digital Ethnography: Principles & Practice. SAGE Publications Ltd. London: SAGE Publications Ltd.

Rayner, P., Wall, P., & Kruger, S. (2004). Media Studies: The Essential Resource. The Routledge Companion to Literature and Science. New York: Routledge. https://doi.org/10.4324/9780203848739.ch30

Samra, B., & Wos, A. (2015). Consumer in Sports: Fan typology analysis. Journal of Intercultural Management, 6(4–1), 263–288. https://doi.org/10.2478/joim-2014-0050

Satriawan, N., Hardjono, & Karyanta, N. A. (2016). Hubungan antara konsep diri dengan toxic disinhibition online effect pada siswa SMK N 8 Surakarta. Wacana Psikologi, 8(2), 1–12. Diambil dari http://jurnalwacana.psikologi.fk.uns.ac.id/index.php/wacana/article/view/99/99

Suler, J. (2004). The online disinhibition effect. Cyberpsychology and Behavior, 7(3), 321–326. https://doi.org/10.1089/1094931041291295

Tartila, P. L. (2013). Fanatisme fans kpop dalam blog netizenbuzz. Commonline, 2(3), 190–205. Diambil dari http://journal.unair.ac.id/download-fullpapers-comm0920a22386full.pdf

Wang, J. (2016). Literature Review on the Impression Management in Corporate Information Disclosure. Modern Economy, 07(06), 725–731. https://doi.org/10.4236/me.2016.76076

DOI: https://doi.org/10.35308/source.v6i1.1693